Those cats are cooking, Miles might say. But they are frying through a muggy mix. And that mix isn't accidental, keeping you removed, distancing the listener to the funked, metal frayed dynamics. Sure, the call-outs, filth melt guitars, elastic bass and aroma of zonked heat recalls George Clinton's endless empire. Though Herrema's couch empress struts in time to her own distinctive, asphalt ideology. Side A is effortless, not songs, blurred mood. Side B is memory, when the guests left the party.
Saturday, 28 January 2012
BLACK BANANAS
Wednesday, 28 December 2011
MARGARET
Saturday, 17 December 2011
THE HOWLING HEX
When they returned home, after a yellow glow walk, she greeted them with a smile, then a blush. They felt bashful, as they were more acquainted with her familiar disposition to a soft, glimmering seriousness. She resumed work on a fragmented puzzle.
He retreated to his room, opened a packet of salt and vinegar crisps and put on Hagerty's Wilson Semiconductors. Of late NMH had been quiet, taking a vacation after Earth Junk's Marble Giants ride to the States. Found sometime anyhow to update his wonderfully strange Howling Hex blog, with it's confounding, truly unfathomable and always inspired ruminations on everything from basketball games to the latest television serials. So what is this? Cowboy rodeo with swarms of guitar knots and reverberation, Texas by way of New Mexico, not really linked to the past or the future, refusing to be tuned into the current. His voice, tuneful and persistent, hovering over the cheerful, stark spaces.
Next up, maybe, Royal Jen, Rad Times.
Saturday, 12 November 2011
WE NEED TO TALK ABOUT KEVIN
The evidence was gone.
THE TREE OF LIFE
The seal nodded, then he set off swimming, lapping up all that water, never saw him again, never did. But I can still recall his black eyes. Sleepy hopeless but warm, the summer ended with roll-up's and stares at the broken horizon. Today it was the army, tomorrow revolution.
Saturday, 14 May 2011
SMOKE DECEPTION
Thursday, 12 May 2011
KATE BUSH
Slouching down he thought about Kate Bush. He definitely remembered Sensual World and Red Shoes being played in the family home. Recently he'd watched some old footage of her, admiring the distance between her modest, dimpled interviews and the towering theatricality of her acted persona. It sucked the viewer into her intricate, imaginative cosmos, you were never sure if it were Kate, Cathy or Babooshka singing, fantastical soul-bearing, not close to the bone but a circle of sirens, witch-dancing, wearing glowing necklaces from different ages.
The dark-haired woman wore a white hat to protect her from sunburn, smiled and dipped her daughter's little feet into the emerald-blue sea. The beach was a land of baked bodies, frisbee throws and ice cold showers. He sipped on American coffee from a French cup. The hotel he was staying at had been overtaken by a fashion show.
Locked out of easy security he let himself be lured into Kate Bush's smooth, jazz-calmed reinventions of her songbook. Strange touches shone through restrained consideration, her son's chewed electronic chorals, hollered religious imagery, pure shrieks taking off from a shaded, funk base. Though what really spoke to him was the revealing night memories of This Woman's Work and Moments Of Pleasure. These were pared-down, private recollections, looking at the skyline, lovelorn or free-associating at a piano, allowing the tender details of her life to flood back into focus. And he was relieved she hadn't thought to improve upon the dynamic, distressed glory of Big Stripey Lie.
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