Saturday, 28 January 2012

BLACK BANANAS

Slide one. Tall, striking, walking down the street, big hat over fringe, fringe over eyes. Slide two. Jeans with masking tape, shades, girl says to me, she's disgusting, she hates her audience, yeah, I say, you gotta problem with that. Slide three. Worse for wear here, peroxide, knocking back champagne, dancing, not singing, while the band go through their motions. Slide four. Furred up, hitting it, more beers backstage, she says to the organiser. Cops got in the car, put the blue light on the roof. Walkie talkie says she might be in the gold encrusted arcade, near the casino, on the boulevard, know what I'm talking about, you been there.

Those cats are cooking, Miles might say. But they are frying through a muggy mix. And that mix isn't accidental, keeping you removed, distancing the listener to the funked, metal frayed dynamics. Sure, the call-outs, filth melt guitars, elastic bass and aroma of zonked heat recalls George Clinton's endless empire. Though Herrema's couch empress struts in time to her own distinctive, asphalt ideology. Side A is effortless, not songs, blurred mood. Side B is memory, when the guests left the party.




Wednesday, 28 December 2011

MARGARET

I am very tempted to write a list of records and movies that I liked or loved but I'm gonna be severe on indulging my pleasures. However, Melancholia has some terrific sequences, the metaphor is potent and Margaret features such an incredible performance by Anna Paquin that I'm frightened to remember it. Jeannie Berlin-where has she been since The Heartbreak Kid?- vital. Also, there is an excruciating scene early on in the film which reminds me of the closing moments of Au Revoir Les Enfants. Scorsese's documentary on Harrison was charming, witty and inevitably, deeply moving.

Saturday, 17 December 2011

THE HOWLING HEX

He struggled down the cobbled staircase, on crutches, to the basement bar. Him and his friend sat close to the stage, watching the blues band jam with fresh electricity. They shared a beer while the crazed-faced singer belted and ran through a berserk set list, toxic memorabilia, it made your fingers want to tap on the silver table.

When they returned home, after a yellow glow walk, she greeted them with a smile, then a blush. They felt bashful, as they were more acquainted with her familiar disposition to a soft, glimmering seriousness. She resumed work on a fragmented puzzle.

He retreated to his room, opened a packet of salt and vinegar crisps and put on Hagerty's Wilson Semiconductors. Of late NMH had been quiet, taking a vacation after Earth Junk's Marble Giants ride to the States. Found sometime anyhow to update his wonderfully strange Howling Hex blog, with it's confounding, truly unfathomable and always inspired ruminations on everything from basketball games to the latest television serials. So what is this? Cowboy rodeo with swarms of guitar knots and reverberation, Texas by way of New Mexico, not really linked to the past or the future, refusing to be tuned into the current. His voice, tuneful and persistent, hovering over the cheerful, stark spaces.

Next up, maybe, Royal Jen, Rad Times.

Saturday, 12 November 2011

WE NEED TO TALK ABOUT KEVIN

He knocked on the door and there was no answer, so he walked into his friend's slim room with the concluding bathroom. The clothes, they were slumped about, heavy potions were pretending to be aperitifs, a stereo whispered Fleetwood Mac from the empty park. Upon the round table was a journal, he read an entry from a month before. His friend had been writing some sort of review on Lynne Ramsay, he compared her to Alfred Hitchcock, that cold clarity, the outsider's insight into a seemingly steady world, images cackling with a tough, dark humour. He knew that he was right and yet he decided to set fire to the notebook, watch paper disintegrate while a Left Bank brass band smuggled up and cried out from the window. Yes, he heard the call, and then all was silent.

The evidence was gone.



THE TREE OF LIFE

The seal sat on a rock looking at the sea. He was afraid of the waves, he slowly embarked upon the stones. I went up to him, to check there was no blood. Slightly fearful, I asked him what did he think of The Tree of Life? Well, he said, when I was at the cinema, people laughed at the end. They mentioned David Attenborough. Guess they were nervous, I replied. You know, modern folks become nervous when they are brought so close to nature, so close to our existence, the fug of childhood and it's pain and beauty, those half-glimpses of revelation, maybe they want to reject it. They may recoil from dinosaurs, sweet talk and Christianity, but for me there was nothing else like it; immense, perturbing your very soul.

The seal nodded, then he set off swimming, lapping up all that water, never saw him again, never did. But I can still recall his black eyes. Sleepy hopeless but warm, the summer ended with roll-up's and stares at the broken horizon. Today it was the army, tomorrow revolution.

Saturday, 14 May 2011

SMOKE DECEPTION










Hi there,
Taking a break from Four Nights of a Dreamer
Thank you all for reading
Finishing my film Smoke Deception
And putting together some songs and jams
See ya, Chris

Thursday, 12 May 2011

KATE BUSH

The cheap flight landed. Someone beside him had been served a rancid burger by a caked-up hostess. Fighting past hectic customs and passport regulations, he shrugged at officials, swaggered lightly, saw those guys with signs and placards at arrivals, tilted his black hat and said, 'Bonjour, bonjour' before boarding the train.

Slouching down he thought about Kate Bush. He definitely remembered Sensual World and Red Shoes being played in the family home. Recently he'd watched some old footage of her, admiring the distance between her modest, dimpled interviews and the towering theatricality of her acted persona. It sucked the viewer into her intricate, imaginative cosmos, you were never sure if it were Kate, Cathy or Babooshka singing, fantastical soul-bearing, not close to the bone but a circle of sirens, witch-dancing, wearing glowing necklaces from different ages.

The dark-haired woman wore a white hat to protect her from sunburn, smiled and dipped her daughter's little feet into the emerald-blue sea. The beach was a land of baked bodies, frisbee throws and ice cold showers. He sipped on American coffee from a French cup. The hotel he was staying at had been overtaken by a fashion show.

Locked out of easy security he let himself be lured into Kate Bush's smooth, jazz-calmed reinventions of her songbook. Strange touches shone through restrained consideration, her son's chewed electronic chorals, hollered religious imagery, pure shrieks taking off from a shaded, funk base. Though what really spoke to him was the revealing night memories of This Woman's Work and Moments Of Pleasure. These were pared-down, private recollections, looking at the skyline, lovelorn or free-associating at a piano, allowing the tender details of her life to flood back into focus. And he was relieved she hadn't thought to improve upon the dynamic, distressed glory of Big Stripey Lie.